Los poemas de Ecos de la noche caminan por los territorios de la memoria: el amor perdido o evocado, la bruma de la noche, el mar que ruge, un café de barrio, las calles de la infancia.
Milk Wood Memoir, the fourth collection by Samantha Wynne-Rhydderch, opens with a handful of family recollections of Dylan Thomas, including Samantha's grandfather's presence in the poet's house on the night he was shot at in March 1945.
Texte des Trostes in Traurigkeit und TrauerWas bedeutet es nun,an Christus zu glauben,Freude oder Traurigkeit,Stärke oder Schwachheit,Gewinn oder Verlust,Glücklichsein oder Leiden,Frieden oder Kampf?
'Atmospheric and intoxicating' CANDICE CARTY-WILLIAMS'A joyous, lyrical read' YOMI ADEGOKE'Hypnotic and freewheeling' GUARDIANA GUARDIAN BOOK OF THE YEARWINNER OF THE SKY ARTS POETRY AWARD 2025Caleb Femi returns with a landmark, life-affirming new poetry collection, The Wickedest.
Los cantos que integran Espigas de maíz rojo son nuevos, pero el pensamiento es muy antiguo, surge del lugar donde tomó su primer aliento el hombre maya: la milpa.
SINOPSIS: THE MIKA KING ENTRE DOLOR Y AMORAmor, desamor e ilustraciones (2026)The Mika King, el artista multidisciplinar más prolífico de la escena contemporánea, presenta su obra definitiva sobre el sentimiento humano.
From an award-winning poet, a poignant collection that wrestles with anxiety, boredom, fear, and griefVisiting Rites was published to critical acclaim in 1982 and was a finalist for the National Book Award the following year.
Thomas Chatterton's fabrications-or "e;forgeries"e;-of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century.
Ranging over the tradition of verse satire from the Roman poets to their seventeenth- and eighteenth-century imitators in England and France, Howard D.
Distinguishing between the incomplete poem and the unfinished poem, Professor Rajan sees the unfinished poem as remaining in dialogue with its own dissensions.
In 1989, the centenary of his death, Gerard Manley Hopkins continues to provoke fundamental questions among scholars: what major poetic strategy informs his work and how did his reflections on the nature of poetry affect his writing?
"e;If salvaging truth becomes difficult in cultures which keep rebuilding and changing their pasts or accept annually the repetitions of natural renewal, Debora Greger's Movable Islands demonstrates that it can still be done successfully.
Since the Roman de la Rose had tremendous influence on the poetry of the fourteenth century, particularly on the works of Deschamps, Machaut, Froissart, and Chaucer, Professor Fleming maintains that it is important for the modern reader to understand what this influential moral satire meant to readers of the medieval period.
Translators Leonard Nathan and James Larson present seventy-five poems from Gunnar Ekelof's middle phase (1938-1959), a period that saw the production of his richest and most enduring poetry.
Focusing on the fundamental Ariostan pairing of education and madness, with all its implications for poetry, Professor Ascoli generates a global reading of the greatest literary work of the Italian Renaissance.
By making his argument about In Memoriam a continuous argument for it, Timothy Peltason brings to light a wider appreciation of its greatness and of its central place in the history of modern poetry.
This book makes available the entire range of Ezra Pounds studies and translations of the technically complex philosophical poems of the thirteenth-century Florentine Guido Cavalcanti, Dante's first friend"e; and artistic rival.
This textual and intertextual analysis of the dialogue in Jean de Meun's Roman de la Rose combines specific close readings of texts with a rich theoretical argument to establish Reason's moral primacy in the poem's economy.
Though the prose poem came into existence as a principally French literary genre in the nineteenth century, it occupies a place of considerable importance in twentieth-century Japanese poetry.
Barbara Lewalski argues that the Protestant emphasis on the Bible as requiring philological and literary analysis fostered a fully developed theory of biblical aesthetics defining both poetic art and spiritual truth.
This book has much of the modern sense of the individual being at a loss, but a partial answer comes from the inexhaustible freshness and splendor of the environment, a possession that can come back to us equally from some idea of Petra or Nineveh or from a roadside ditch by a mill.
The author begins with a biography exploring the moral and aesthetic implications of Wu's life as a guest-poet"e; patronized by officials and aristocrats, and continues with a reconstruction of the historical and literary context needed for modern readers to grasp his poetic techniques.
This work, which has had a pronounced impact on European literary scholarship since its publication in 1961, represents a new and imaginative approach to the history and poetics of the novel.
The life of William Morris (1834-1896) is revealed in significant new detail by his complete surviving correspondence, brought together here for the first time and including many previously unpublished letters.
This work concerns questions of loss and restitution, decline and recovery--questions best explored through the shifting revelations of narrative that are possible in a longer poem.